Jola Olafimihan

Mangoes, dragonflies, trees and Clay. Those are my earliest memories of nature. Although I grew up in cities, I have always been surrounded by nature both merciful and torrential. As a young girl growing up in Nigeria in the 90’s, living surrounded by butterflies, birds and trees, gave me the release I needed in times of stress and worry. It still does today. Eating traditional sweets and catching falling mangoes from our garden and just having a blast outside is something that reminds me of the richness I was surrounded by. 

Living in the UK really changed my exposure to nature. Cities are less green, gardens smaller, I rarely saw butterflies. I waited 10 years to see my first wild hedgehog. Access to wild unrestricted nature was far and expensive. It became even more difficult to deal with mental fatigue and stress. Then I moved to Durham. Durham, an old small city with such beauty, it made more sense to choose this place for my future studies. I walked around more, day and night, bathing in the shadows of trees, chasing the local rabbits, reconnecting with the soil and just getting lost in nature. Taking the longer more scenic route to university, made me feel lighter and less blehhh.

My first time writing about Nature was brought on pollution. The pollution of land, river, air and ocean, brought about by human activity in Nigeria. Seeing the effect oil spills had on our environment birthed my first publicly shared poem. When I was much younger, I’d create imaginery creatures that worked at night, replenishing nature whilst we slept and would then sleep in the day time, whilst we worked. However, this poem was different, it hurt. That pain I now use to fuel my writing, activities and creations.

At age 22, I was diagnosed with a rare form of ovarian cancer. My life was thrown into a spin. My life now included journies between the hospital and my home. I was weak, exhausted and sick but I longed for Green and sea. My first trip out with friends whilst on chemotherapy was physically exhausting. However, mentally I was fired up. At the end of my chemotherapy cycles, I was invitend to a week long trip to the Lake District by Climbing Out. It was an amazing experience. I conquered my fear of bottomless water and jumped of a bridge twice. It felt amazing to be surrounded by friends from the hospital and made some new memories.

After that another lull, until Sheree. I met this amazing being who loved earth and beamed that love to others. She brought access to nature to black women like myself, who felt disconnected because of our lives and experiences. I became stronger with each new walk, with each journey, I started to reconnect. My senses where returning. Enjoying the texture of soil and plant, creating a new bond and friendships, and writing again.

I was beyond excited to be invited as a Writer in residence. Plus with an organisation in a place that made me love and bond with British nature, the Durham Wildlife Trust. There is much I have to learn but I can’t wait to see myself evolve as a writer. Even though Covid-19 has slowed things down a bit, it’s allowed me to discover new ways to reconnect. Through this residency, I hope to show the bond with have with the earth, mentally, physically and emotionally. I also hope it inspires more to reconnect and heal through exposure to the Green, Blue, Red and colour diversity of nature.

Read blogposts from Jola

Jola Olafimihan – February 2024

An exploration of colour, life and earth, its connection to who I am and how we reach deep into our histories and take our place is very important to me. Adire, the beautiful dyeing methods of Yoruba people is ingrained in me, and the vibrant expressions of the natural dyes is something I would like to explore and share. That is why I am so glad to be a creative in residence at The Northumberland National Park Authority.

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Drying Leaves – February 2024

They marched out of frustration
Armed with voice, song and hope.
Your generation will make things better
It is for you to fix, our crumbling inspiration.

Read more here.